A Vibrant Start to the Proms Season
The summer season has officially begun, and with it, the return of the Proms. From the very first notes of Arthur Bliss’s “Birthday Fanfare for Sir Henry Wood,” the opening concert felt like a grand celebration of an enduring concept: bringing exceptional music to a broad audience at an affordable price. This mission remains as vital today as it was when Sir Henry Wood first launched the Proms in 1895.
The concert opened with a smooth transition into Mendelssohn’s “Hebrides Overture.” Under the expert guidance of Sakari Oramo, the BBC Symphony Orchestra delivered a performance that was both elegant and powerful. The orchestra was in top form, offering a heartwarming interpretation that resonated deeply with the audience.
Further north than the Hebrides, in Orkney, the current Master of the King’s Music is Errollyn Wallen. Once held by Bliss himself, this prestigious post is now occupied by a composer known for her unique style. Wallen’s new work, “The Elements,” is a ten-minute piece divided into three parts that defies easy classification. She describes the “elements” as the fundamental building blocks of sound itself, creating a vibrant and eclectic composition filled with funky rhythms, glittering melodies, and unexpected touches like police-style whistles and subtle references to brass bands.
Oramo led the orchestra with precision, allowing the piece to sizzle with energy. There were moments of playful boogie and even a call for audience participation, adding a dynamic and interactive element to the performance.
Earlier in the evening, Lisa Batiashvili captivated the audience with her performance of Sibelius’s Violin Concerto. Her technical mastery and emotional depth were evident throughout, as she effortlessly navigated the concerto’s challenges. In the final movement, she seemed to explore the upper limits of her Guarneri del Gesù violin, creating a sense of spontaneity and wonder that left the audience spellbound.
A Mystical Oratorio
Vaughan Williams’s “Sancta Civitas” (the Holy City) offered another highlight of the evening. This half-hour oratorio, steeped in mysticism, played with the acoustics of the Royal Albert Hall, making full use of its vast space. Premiered in 1926 during the General Strike, the piece has a reputation for being somewhat of a “white elephant.” This was only the second time it had been performed at the Proms, and it may not be returning soon.
Despite its rarity, the oratorio’s most compelling moments were truly immersive. It features a large orchestra and chorus, a semi-chorus (the BBC Singers), an invisible children’s choir, a baritone soloist, and a brief but memorable tenor solo. Gerald Finley delivered a powerful baritone performance, while Caspar Singh added a unique touch with his high-pitched tenor solo from above.
A Refreshing Evening of Music
While not a night of loud, exuberant performances, this Prom was refreshingly free of gimmicks. The world-class musicians on stage communicated their passion directly from the heart, delivering a performance that felt genuine and heartfelt. This sets a promising tone for what is sure to be a remarkable summer of music.
The Proms will continue at the Royal Albert Hall and other venues until 13 September. For more details, check the schedule online.
